Mostly It’s Just Uncomfortable is part of Buckman’s response to the attack on Planned Parenthood in the United States, the consequent deprivation of access to free sexual health care for underserved women, as well as the attempted curtailing of a woman’s right to make choices concerning her own body.
Examining the cold and harsh material quality of gynecological instruments, Buckman finds a way of reversing her negative perception of these objects turning them into playful more tactile sculptural entities through the process of Powder Coating. This in-progress series of sculptures examines the physical discomfort women have to endure via these necessary and sometimes life-saving instruments. Also working with boxing iconography, Buckman has cast her own boxing gloves, hand wraps, and mouth guard in glass and metal, further marrying the stereotypically masculine to the feminine, and the fragile to the resilient. This dialogue between polarized materials is typical of Buckman’s work, yet the combat pieces speak to a new and more confrontational discourse in the artist’s process.*
What’s Going On: Buckman is fresh off the latest group exhibitions “Off the Wall – For Freedoms”, at the Monique Meloche Gallery in Chicago, IL.
Next Up: Harlem Postcards Fall/Winter 2016-2017, The Studio Museum in Harlem, New York, NY
•SoundScape Park Evening Film Program 2016, Art Basel Miami Beach, Miami, FL
•PULSE will also present the following works as part of the PROJECTS program: Zoe Buckman’s Champ, 2016, a neon work created in response to the attack on Planned Parenthood in the United States, the consequent deprivation of access to free sexual health care for underserved women, and the attempted curtailing of a woman’s right to make choices concerning her own body.
*statement from artist website