Acid Mass by Joanne Leah


Brooklyn Photographer Joanne Leah left us the most unusual message accompanied by photos from her latest series ‘Acid Mass’.

The photographs were an array of unclothed bodies strewn about in colorful backdropped narratives — a mysterious trip through surreal, fairy tale crime scenes. Her ritualistic images draw from her own childhood memories, exploring themes of isolation, detachment and self identity.

The series would not be complete if we did not include that eerie opening that grabbed us at first read…

“When I was a child, I would explore the woods behind my house. I ventured alone, following a small creek. One winter day, I deviated from my usual path. As I walked, I heard a man shout. A pack of barking dogs ran toward me. I immediately dropped to the snowy ground and pretended to be dead. I held my breath. The dogs surrounded me, sniffed and snorted. I had never felt that kind of fear before, the fear of being eaten alive.”








All images © Joanne Leah

Zeren Badar’s ‘Accident Series’

sea world


Self-taught photographer Zeren Badar describes his latest photography project, Accident Series as “rich, conceptual, sensual and anti-formal” turning “pre-existing works of art into Duchampian ready-mades”. Indeed he is exploring his Dada influences with a peculiar combination of photography, painting & collage. These collages are made with found objects, covered in food, laced in strong shadows and layering effects to give a three dimensional sense to his work.

Badar hopes these copies of old masters paintings will evoke the viewers memory. The artist explains, “By using unexpected juxtapositions of objects, I try to create ambiguity and pull viewers attention deeper into my photographs.”

endless love

tragic end

*Zeren Badar is a self-taught photographer who lives currently in NYC. He is originally from Turkey. He is obsessed with art.
He enjoys long walks all around Manhattan and take long breaks at art shows.

very first accident


Secretomotor Phenomenon - Gracie Hagen 5

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Cry·ing  /ˈkrī-iNG/ – the act is defined as a complex secretomotor phenomenon characterized by the shedding of tears from the lacrimal apparatus, without any irritation of the ocular structures.

Chicago based Photographer Gracie Hagen is uses her lens to explore the vulnerable side of human emotions in this compelling and intrusive photo series Secretomotor Phenomenon.

“In an age where nudity is less vulnerable than genuine emotions, I wanted to explore an aspect of peoples lives that are hidden. These are the faces of the intentionally vulnerable. They’re showing you a part of themselves that is usually saved for their loved ones or even sometimes, just themselves. You don’t know why they are crying, but you know that this is a rare look into a stranger’s most personal moments. Things that were private, now made public.”

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New York based Photographer Davide Luciano turns those infamous car wrecking potholes into street art with his photo series, Potholes. Luciano used locations in New York, Montreal, and Los Angeles as his backdrop, often driving around for hours to find the perfect pothole. The most amazing thing is that he found the time to set up these shots on busy streets since none of the photos are photo-shopped. This imaginative photo series that turns bad into good proves that with a little creativity – the sky is the limit.








I cannot stop surfing through these haunting Francesco Mugnai pictures. His photo series on abandoned amusement parks brings chills to my body as thrilling as the excitement I can recall back from visiting the amusement parks of my childhood. Here are all the memories rotting in fields and perhaps hosting some ghostly visitors.

via hahamagartconnect, indulged

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There’s something so calming about everything in its right place. Perhaps that’s why I’m favoring the color grouping photos of Brooklyn-based photographer Sara Cwynar. Cwynar uses her own continually changing horde of objects to create these photo dialogues.

Those lemon yellow tones and monochromatic shades of black and gray eclectic items play on me like the work of other artists (see Michael Johansson) who obsessively group and catalog items in this artistic time capsule form transforming the everyday objects into discussions of our society’s obsession to have more things and the value we place on them.

photos via artist website & Featureshoot








It’s hard not to give way to laughter after inspecting these epic meal disasters. This narrative photo project is the brainchild of fine art photographer Davide Luciano and his wife Claudia Ficca – a professional food stylist. You might remember their other fun photo collaboration Potholes.

Take a moment and see if you can work out what went wrong in each scenario.

The possible Mob hit at dinner, uninvited picnic guests, the cafeteria food fight, and the unexpected rainstorm – all leave room for some imaginative back stories

via redesignrevolution

Prop styling:  Maeve Sheridan









Photographer Pieter Hugo has my attention. These photos from his series The Hyena & Other Men hold an insistence that you stop and pay attention to these images of power that are captivating in ways unknown to my culture aesthetic.

The series ‘The Hyena & Other Men’ was shot in Nigeria amongst the shantytown of Abuja were these Gadawan Kura (rough translation: hyena handlers) live. They are traveling performers who entertain crowds and sell medicines – apparently a tradition past down through the generations.

You can read more about Pieter Hugo’s travels with this troupe here.

via Ignant

Image credit: Pieter Hugo



Barbie Faces Reality



You may already be familiar with Dina Goldstein’s work – she has the penchant for being the one to burst the bubble. Remember her pictorial Fallen Princesses that touches on what happened to Disney Princesses when placed in the real world? Wherever there’s a silver lining to be had or a Once Upon a Time, Dina Goldstein is going to find the grittier side of it.


This time her photo essay In The Dollhouse takes aim at America’s favorite doll, Barbie. She’s re imagining the life of Barbie and Ken with models (Nathaniel Campbell & Reghan Blake) – putting them some real world situations. Here Barbie & Ken seem a little dissatisfied with their marriage, and who could blame them… what with having to deal with dueling egos, Ken’s burgeoning sexual confusion and what seems like Barbie’s eventual breakdown.





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Here in the Behind the Scenes Video you can see Dina’s crew bring Barbie’s Pink Kingdom to life.

image credit: Dina Goldstein

via Indulged

My City Rocks: Memphis



According to the 2011 federal census, Memphis and its surrounding counties form the poorest metro area in the United States with a population of a million or more. Almost one in every five of its residents lives below the poverty line. A quick ride down the streets of the River City transforms these black and white statistics into harsh reality. Once you escape the areas where the haves have so successfully and obviously secluded themselves from the have-nots, you encounter a sea of urban blight, of failed business, closed doors, broken windows, and “For Sale” and “For Lease” signs grown dusty they have hung for so long in windows that barely warrant glances from passing motorists. Shattered dreams litter the concrete. Memphis is poor, really poor. And it shows.

But there is something else here, embers of something that can’t be extinguished by hardship and poverty, that is fed, fueled, flamed by times as tough as these, times tougher still. There is a beauty here, roses amongst the thorns of economic woe, the beauty of hope. It’s this hope that spurs a person’s dreams, these dreams, gilded with the promise of a better tomorrow, that turn them into entrepreneurs and small business owners, and it’s these small businesses that are the primary focus of these photos. Or rather, the signage associated with these humble start-ups.

These images, created from scraps, outside of the realms of formal training, transcend the advertising origins that let us know what commodities, be they haircuts, smoked sausages, or statements on the human condition, lie inside the walls from which they scream at us.These are the things that mark this city for what it is, more so than the obvious landmarks that end up in the travel guides.

The Pyramid, Graceland, The Hernando Desoto Bridge – these things, while iconic in their own right, do nothing to highlight the fact that, while Memphis is a city of slim wallets, it is also a city of stout hearts, of dreams and hopes and gazes towards a tomorrow that is wishfully better than the day at hand. It’s these hand crafted works that marks this city for what it is, that hold its beauty and soulfulness, that are the real landmarks of Memphis, and I am glad, humbly so, to share them with you.

Joshua Miller



photo 3


photo 2



photo 1


The Roy Lichtenstein “Oh Jeff…” Costume Tutorial


Most of the items needed for the costume can be found in your house thus making this an inexpensive project. The majority of the costume is makeup.

  • Plain tank top (or in this case, polka-­‐dotted top)
  • Any primary colored belt & bracelet, (funky earrings optional)
  • polka-­‐dotted shorts
  • old phone
  • yellow (not blonde!) wig
  • cardboard or cardstock
  • blue, white and black acrylic paint red-­‐brown face/body paint permanent marker
  • barrette white thread liquid eyeliner pink lipstick

1. Study it!

Really look at the work, deconstruct it and look at it for what it really is. The common mistake, and I unfortunately made this too (not by choice-­spilled paint on my only clean black tank top!) is that if it’s Comic/Pop Art than the whole thing has to be dots. Wrong! Looking at “Oh Jeff”, you will notice that the black tank top isn’t dotted, and neither is the hair, quite a few of the objects found in Lichtenstein’s works are flat and singularly colored.

oh jeff

The Phone and “bubble” should be worked on in advance, as both of these items require an excessive amount of drying and painting time. Bubble requires white paint, paintbrush, white thread, permanent marker and a barrette.


2. Prepare

For the bubble, you will cut out in either cardboard or cardstock the desired shape. Paint with 2-3 coats of white paint-­ allowing for dry time in between each coat. When completely dry, you may then write with permanent marker the message needed and completely outline the edges with the marker as well.

Next, the barrette is to be added. Place the barrette in the side of your hair where comfortable and hold the bubble on top, placing in the desired spot according to the original piece. While still holding the bubble, unsnap the barrette and remove together, attempting to hold the barrette against the bubble as you will need to permanently attach it in this spot.

Once removed, begin to attach the barrette to the back of the bubble with white thread, sew in a couple of areas with continuous loops. This will keep the barrette from sliding. DO NOT USE HOT GLUE. When the barrette flexes shut into the hair, it will remove itself from the bubble. With thread, this will allow the barrette to be opened and closed and will flex in unison with the bubble, not against it. White paint may be added on top of the thread to further blend it in.




3. Practice

Practice is crucial; I learned that red lip liner does not work for the dots as it instantly rubbed off and cream (or stick) eyeliner is pretty much the equivalent of grease when trying to remove. I’m not lying when I say that I scrubbed my face three times with an exfoliating cleanser before all black lines where removed. For best results on the dots use face/body paint as it will adhere to your skin like normal paint but won’t come off as easy as makeup. Use the end of a paint brush, approximately 4mm in diameter or smaller and dip into the paint and apply to the face. Only liquid eyeliner should be used as it will stay on all night and come off in one exfoliating wash!

Set yourself up so that when you look in the mirror, you can see your image behind you. This is so that your face is now exactly in the same position as the work of art to be copied. So if in the mirror the face is turned to the right, you’ll turn your head to the right. Practice a couple of dots-­‐always go at a diagonal line, and practice your black lines. * If there is a line in the painting, then it needs to be on your face. Do not just outline your eyes, lips and jawline. There are little wrinkle lines on the nose, eyes and forehead that need to be added and the nostril must be lined as well! This is why step 1 is so important. Really study and pay attention to each little detail! It may be a pain but it’s going to allow you to really do your best on the day of the party and quickly assess any mistakes that might be made!



4. Start getting ready!

Yellow wig is required with black acrylic paint.

The wig can be saved for the day of the party if there is adequate time available as it only takes roughly a little less than an hour, (it took me two-­ but that was through process of elimination) but keep in mind that Makeup can take up to 3 ½ hours.


Start with the Yellow wig. I found mine a costume shop and only set me back $15. It was already the perfect shape and cut so no scissors were needed! Pin your hair up and place the wig on. Just as with the practice makeup, you will set your image up behind you in the mirror and look at which strands need to be black. With gloves on, pull a desired strand up and coat with black acrylic paint. Evenly coat until the section of hair is completely black. Carefully lay the strand back down into the desired spot and bobby pin if necessary. Repeat for each strand needed. When complete, you may leave the wig on while it dries or gently remove. To Speed up drying time, you may use a blow dryer on the cool setting.

Once the wig is completely dry, the strands will have become hard and plastic like. Comb each strand out as best possible. Some will remain hard but the idea is to make them more ‘hair-­ like’ again. After they have been combed you can bobby pin them back into place. This is to make sure the wig stays looking exactly how you want it.



5. Makeup

It’s advisable to NOT wear the clothes you intend to wear later that night, but something comfortable and easy to change out of. Set yourself set up the same way as you would when you were practicing or with the wig and start with the face. First, apply a base cover-­up to face. If you’re like me and have tattoos, a thin layer can be applied, as this allows the dots to be seen better. Again, work in diagonal rows using the end of a 4mm wide paint brush. Do not try to work with the contours of your face, work against them and try to make it as flat as possible. If the dot runs onto your eyelid, so be it! Make sure that you work over top of your eyebrows, as they will be painted back on later.


Dot the entire face and blow dry on the cool setting in between. Work in sections on the neck and continue to blow dry, this will speed up the process. Make sure that you have someone around that can help with the back of your neck and any other difficult to reach places. (Besides, they can bring you mojitos, blowdry, and even give you a break and take over dotting for a minute! )

Continue to work in sections ( remember to take your time! ) until the entire front area is complete.


After all dots on the shoulders, neck and face are complete, start on the lines. Just like when you practiced, pay attention to every line and take your time!!! It is extremely important when working on the eyes and eyebrows to make the same face as the artwork and then draw them on. It may be difficult to hold, but will create the best results and the lines will match perfectly. Remember to add little wrinkle lines like the artwork and outline the nostril, jawline and the side of the face.  Before adding lines to the lips, apply pink lipstick. Lines are also to be added to the inside of the mouth. This will later come off when eating or drinking so make sure that you either drink through a straw all night or bring the eyeliner for touchups!

6. Put it all together!

Once the face work is done, you can start getting ready. Put all items on first and then the wig. Once the wig is on correctly, attach the bubble barrette in a comfortable spot as you would in your hair and check in the mirror against the original piece for placement.

Now, roll up your sleeves and start on dotting the arms and hands. You do not need to worry about the palms, or even how good of a job you do on the hands as you will end up washing your hands 2 hours into the night and it will all disappear. Lines can be added to the hands and the nails can be polka-­dotted for added effect.



Then you’re done! I attached my phone to my belt for easy carrying all night and make sure you have your pose down! Know which angle is going to look the best in photographs-­ as you will be asked for them all night!





Sarah’s advice for picking your costume 

Pick a work of art that is universal.

Even if no one knows the exact work itself, they will still recognize its qualities through popular culture-­‐ example, A few individuals didn’t know the exact artist and piece I was portraying, I received a lot of “ANDY WARHOL!!” and “ IT’S A COMIC!” but it still worked for them, because they understood it regardless of specified education or backgrounds. I’ve found over the last few years, the Halloween costumes that are most successful are the ones that A. included a lot of hard work, whether through the thought process or the crafting itself and B. evoke a sense of Nostalgia.