Your Art Fair Guide for Armory Week 2017

It’s Armory Week and that means gaggles of art fairs will be taking place across New York City.  It’s going to be a whirlwind of amazing art from all over the world, informative talks and lots of Art Star Selfies.  We don’t suggest you try to tackle every fair, choose the ones that interest you the most and pace yourself. Fair fatigue is real–trying to see more art than your brain can process at one time will just ruin the whole experience. Trust us on this… Oh, and by all means, wear comfortable shoes.

1. Armory Show

The Armory Show is the daddy of all the fairs.  It’s the big Kahuna with over 200 galleries showing on Piers 92 & 94 for four days of incredible art, engaging talks and daring projects. Walking through both piers can be exhausting, take breaks, and check your coat.  The coat line is so long – one would think they were giving out free drinks – but it’s worth the hands-free next few hours.

Your Art Fair Guide for Armory Week 2017

Photograph by Teddy Wolff | Courtesy of The Armory Show

March 2–5, 2017
Thursday, March 2, 12–8pm
Friday, March 3, 12–8pm
Saturday, March 4, 12–7pm
Sunday, March 5, 12–6pm
Pier 94 and Pier 92, 711 12th Avenue between West 55th Street and West 52nd Street
$47 general admission, or $60 with VOLTA admission


2. Volta NY

Volta is Armory’s sister fair – one that keeps getting better in terms of curation.  Its’ art boutique feel is a refreshing change from the chaos that will be happening at Pier 92 & 94 with the Armory crowd. By spotlighting artists through primarily solo projects, VOLTA NY refocuses the art fair experience back to its most fundamental point: the artists and their works.

The Volta fair takes place at Pier 90. Photo: David Williams, courtesy Volta.

The Volta fair takes place at Pier 90.
Photo: David Williams, courtesy Volta.


MARCH 2–5, 2017

THURSDAY – SATURDAY, MARCH 2 – 4, 12 – 8 pm | SUNDAY, MARCH 5, 12 – 5 pm

Pier 90, 711 12th Avenue at West 48th Street
$22.96 general admission, or $55.11 with Armory Show admission


3. Spring Break Art Show

Spring/Break is one of the Armory Week attractions I try not to miss, it unapologetically has fun with art – blocking out the cynical in favor of its ‘Look at what I did Ma’ art school vibe.  This years curatorial theme is BLACK MIRROR – exhibiting  autobiographical artworks that engage, defy or uphold the idea that art should ‘hide the artist’.  The fair has moved from Moynihan Station to a their New Location, 4 Times Square, NYC (entrance on 43rd Street). Hopefully, the new space retains that feeling of being sent off to the races – with a familiar three-floor execution of exhibits – room after room of romping and art browsing. The rooms can be a showdown of hit-or-miss aesthetics, but I continue to enjoy the discovery beyond each door.


March 2–7
Skylight at Moynihan Station, 421 8th Avenue at West 31st Street
Wednesday–Sunday 11:00 a.m.–6:00 p.m.; Monday 11:00 a.m.–6:00 p.m.
$15 general admission


4. Scope

SCOPE NY brings an array of contemporary art from the hottest new artists on the scene. SCOPE used to be close to Armory – there was nothing like being able to stroll, and not UBER to the main fair. The 17th edition of SCOPE returns to a new Chelsea location at Metropolitan Pavilion, the venue will host 60 international galleries and a focused schedule of special events, performances and talks.

Erik Jones, Joseph Gross Gallery

Erik Jones, Joseph Gross Gallery

March 3–5, 2017
Friday-Saturday 11:00 a.m.–8:00 p.m.; Sunday 11:00 a.m.–7:00 p.m.
Metropolitan Pavilion West 60 galleries, 639 W 46th Street
$25 general admission


5. Art on Paper

Art on Paper returns to Manhattan’s Lower East Side in March 2016, building on the success of the fair’s inaugural 2015 edition. It may be further away from the main fair, but it’s well worth the trip to see how artists are transforming paper into extraordinary works of art.  We’re especially looking forward to the lineup from exhibitors Paradigm Gallery + Studio, representing our home base, Philadelphia, PA.

Courtesy of Art on Paper

Courtesy of Art on Paper

March 2–5
Opening Night – Thursday 6:00 p.m.–10:00 p.m.; Friday–Saturday, 11:00 a.m.–7:00 p.m.; Sunday 12:00 a.m.–6:00 p.m.
Pier 36, 299 South Street on the East River
$25 general admission


6. ADAA Art Show

29th edition, of the Art Dealers Association of America’s annual fair, is back at that glorious Park Avenue Armory space.  With 72 exhibitors of fine art.  The 2017 show will include a number of first-time exhibitors, including Fergus McCaffrey, who will present works by Viennese artist Birgit Jürgenssen; James Fuentes, who will juxtapose works by Tamuna Sirbiladze and Noam Rappaport; Hosfelt Gallery, who will highlight four decades of work by Argentinian artist Liliana Porter; and Casey Kaplan, who will present paintings by American artist Sarah Crowner.

Courtesy of the ADAA

Courtesy of the ADAA

March 1–6
Wednesday–Friday 12:00 p.m.–8:00 p.m.; Saturday 12:00 p.m.–7:00 p.m.; Sunday 12:00 p.m.–5:00 p.m.
Park Avenue Armory, Park Avenue at East 67th Street
$25 general admission


7. Independent

Don’t’ go looking for the Independent in Chelsea, the fair has taken up residence in Tribeca’s Spring Studios.  The popular fair’s niche market is international galleries and non-profit institutions.

March 3–5, 2017
Thursday 6:00 p.m.–8:00 p.m (VIP); Friday and Saturday 12:00 p.m.–7:00 p.m.; Sunday 12:00 p.m.–6:00p.m.
Spring Street Studios, 50 Varick Street
$25 general admission/$15 for students


8. Clio Art Fair

CLIO ART FAIR is a curated fair created with the idea of discovering independent artists and showcasing the careers and achievements of already affirmed creative minds. Labeled the “anti-fair for independent artists,” Clio provides a showcase for artists without gallery representation, selected for inclusion in the fair by a panel of judges.
March 3–6
Thursday 6:00 p.m.–9:00 p.m., Friday and Saturday 10:00 a.m.–6:00 p.m.; Sunday 12:00 p.m.–6:00 p.m.
508–526 West 26th St.


Dinner for Two | Rachel Lee Hovnanian

Dinner for Two | Rachel Lee Hovnanian

First thing you notice about the mixed media piece, Dinner for Two, is the absence of bodies in the chairs set on either ends of this beautiful table arrangement. There are virtual people in the chairs but no actual physicality – which sort of sets the tone for the piece.

There are however, two LCD screens attached to each chair, playing a looped performance of a couple whose eyes never meet. 

Dinner for Two | Rachel Lee Hovnanian

Dinner for Two | Rachel Lee Hovnanian

The couple is constantly looking away from one another – never really making eye contact with one another, instead they’re seen glancing down into their laps. All the while, in the middle of the table a holographic white mouse is unsuspectingly nibbling away on a white tiered wedding cake. The story the pictures of the installation can’t tell is that during the video loop you can hear a constant barrage of familiar sounds: an angry birds game gearing up, a text message coming through, emails being delivered.


Dinner for Two | Rachel Lee Hovnanian

This was one of the more interesting pieces at this year’s Armory Show. At any given time, there were crowds of people standing around it, speculating on what story was being played out. Even the artist dropped by, slyly standing off to the side, listening to the conversations. 

By far, most explanations had the same vibe…by in large, society has been altered dramatically by the surge of technology – its cost can be seen through the couple and their lack of interaction with one another. The couple being placed at the table can represent the change in our traditional values, such as, the simple yet valuable act of families eating at the table and discussing their day being interrupted by our need to constantly clock in with some form of social media. We socialize through these faceless forms of communication, be it, email, video games, apps, etc… and hence lose the ability to harness the means of traditional forms of communication – actual face-to-face communication.

The wedding cake could symbolize a new relationship, that sweet spot “marriage”, when you’re fresh and in tune with one another, looking forward to spending the future together. But a look at how they’re not utilizing the time is made significant by the mouse eating away at the cake, or at their relationship little by little.

But that’s our perception…what’s yours?




Surviving The Armory Show Art Fair

Three years ago when my best friend asked me to go to the Armory Show with her. I, of course, not being part of the art world, had no idea what the Armory Show was. She actually begged me to go, she encouraged me to branch out and experience something new, but somehow she forgot about the time we were in Paris and I had to spend 8 hours with her in the Lourve. Now I’m not opposed to seeing some great art, for brief interludes of time, but 8 hours, “Really?”  Needless to say she finally convinced me to go. And what happened you may ask. She did it again, 6 hours of art, no eating, no breaks just hours of endless art. There were times I was just outright rude, but what do you expect, she refused to feed me. Through it all, “The Art Lover” was in her glory. In the end I did actually enjoy the show and have done it for the past three years, each year getting better and better.

The art itself varies in all aspects. You can see paintings, sculptures, performance art; some things can’t actually be defined and confined to description unless you’ve seen them. I’ve never been one to be fascinated by art per se, but it really does get interesting to see all those works of art and try to figure out what could have possibly been going on in the artist’s head. The pieces can be so dramatic sometimes and quite lighthearted on other occasions. I believe last year was the year of neon. It was everywhere.

Armory Show article


Then there are pieces from this  year’s show like “Let The Light Enter” by Charles White (1918-1979), drawn in 1961 that truly drew me in and made me appreciate art for all it’s worth. There was nothing overly dramatic about the drawing or its design (it was drawn with charcoal and Wolff crayon), but his subject looked at me and captured my mind. Each stroke was with purpose, every inch of the drawing consumed me and all the sudden art meant something. I remember having a similar feeling when I first saw the Mona Lisa. It was like seeing an old friend and smiling to yourself about all the fun times you had, just a flicker of memory, but a delightful one, something never to forget.

Over the years, the Armory Show has turned into quite an event for us. While I remember flashes of year one, but year two is when I really got into it. The trick is to mentally prepare yourself for a long day.  So have a decent breakfast before you head out to the shows…don’t get me wrong, this is an amazing time of the year, but it’s long and you need to know it’s not the type of thing you do for an hour and then move on. Which brings me to my next rule: wear comfortable shoes.  I know you see people fashionably arriving to the show and there’s nothing wrong with looking good, but trust me, if their heels are over 3 inches, they aren’t serious. Chances are you’re planning on visiting other art fairs during the day – New York is an asphalt jungle and nothing will take you down faster than trying to traverse the art fairs in cute heels. Know when to break for a meal, lack of food will cause you to forget just about anything, even if it is great. Personally, I keep granola bars and juice packs in my bag for quick power snacks. Most of all, know when to call it quits. If it all starts to blend together, you’ve probably had enough for the day. Save some for tomorrow or even next year – shut it down – go have dinner & drinks and pat yourself you the back and call it a wrap. You survived.

“Let The Light Enter” by Charles White (1918-1979)

“Let The Light Enter” by Charles White (1918-1979)

And while going to the Armory Show every year with my best friend is a great time, it also has been a time that I’ve learned something new about myself. My patience has definitely gotten better, but my appreciation for art has truly grown and I can honestly say I too am now an art lover. I don’t always understand it or get what the artist is trying to convey, but I can appreciate it. And in the end that’s all that matters, because art is not about understanding, but more of a feeling.

See you next year!


article by Dawn Williams