American photographer and video artist, Carrie Mae Weems works with text, fabric, audio, digital images, and installation video but is best known for her work in the field of photography. Weems’s gift for storytelling enables her to investigate the intricacies of family relationships and gender roles, as well as the histories of racism, sexism, class and political systems.
In her Kitchen Table Series, she staged these snips of everyday domesticity and stretched them into long unspooling questions about our identity within relationships. Within every stunning black & white image of a sparse kitchen, Weems fills up space with astute introspection into connected themes and human experiences.
“The camera gave me an incredible freedom. It gave me the ability to parade through the world and look at people and things very, very closely,” Weems reveals. This ability to embody the spirit of her stories makes her work transcendent, moving across time and place as only the soul can.
“The Kitchen Table Series is not simply a voice for African-American women, but would be a voice for more generally all women… these ideas about the spaces of domesticity has historically belonged to women. It is sort of the site of the battle around the family, the battle around monogamy, the battle around polygamy, the battle between the sexes – it’s going to be played out in that space. It begs the question, ‘how do we begin to alter the domestic space’? How does the social contract get changed?
In helping us seek a shared connection with traditional narratives, –this relationship between power and aesthetics magnifies Weems own truths; her spirit captured there in the lens.
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